You shoot the trackday, then put the card through RaceLabs. It splits every photo and video by rider into folders on your own disk in minutes, so you can sell the same day, while riders still have the adrenaline in their veins and are far more likely to buy.
Free first event — send one real card dump and see every rider sorted into folders before you pay a cent.
Europe's reference in photo sorting for motorsport.
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Hand-sorting does not just cost you the evening, it costs you the sale. By the time a gallery goes up days later, the buzz is gone. RaceLabs gets every rider their photos and clips the same day, while the session is still in their legs and the adrenaline is still up, exactly when they are most likely to buy. It is not only hours saved. It is a faster sell, and more of them.
Nights lost culling and sorting, galleries live days later, the rush long gone and the wallet closed.
Sorted in minutes, delivered same day, while riders are still buzzing and far more likely to buy.
Point RaceLabs at the folder where your shoot landed. Photos, videos, subfolders, bring it all.
Every file is analyzed in the cloud at up to 7,000 images per minute. You watch a progress bar, not a spinning beach ball.
Each rider becomes a group, and a shot with several riders in frame counts for every one of them.
One click and every rider has a folder with photos and their video clips together. Ready to deliver, ready to sell.
Open any rider and there it is: every photo and every video clip of them, in one place, ready to send or sell.
Create an event and pick your photos folder.
Detecting riders in your photos.
Identify riders and sort into folders.
Folders written to your disk. Open one to see inside.
Hidden, blurred, or missing plates still land in the right folder. A readable number just names it.
Videos are analyzed just like photos: every rider in them gets matched, and the footage lands in their folders. One delivery, everything included.
Two bikes battling in the same frame? The engine sees them all, so that photo or video lands in every rider's folder, not just one.
From your long videos, every rider gets their own clip, cut to exactly the seconds they're on screen. A personal edit for each customer, automatically.
Shots the engine isn't sure about go to an Unclear bin for your eyes, so they never contaminate a customer's folder.
Results are real folders in your file system. No locked-in gallery, no export hostage situation.
A number plate slips out of frame, vanishes under mud, or never faces the camera. RaceLabs doesn't depend on it. Every shot still lands with the right rider, even when there's no readable number at all. Numbers help when they're there, but they're never required.
The engine fingerprints the livery, bodywork, helmet and leathers, the parts that stay the same lap after lap, instead of a plate it might never get a clean look at.
It identifies the rider from the machine, then reads the plate only if there is one, to name the folder. A number lost to mud, a back-turned shot or an arm is never a dead end, and clear plates still give you plate-named folders.
Every one of them sorts with the RaceLabs engine and gets photos to their riders in a fraction of the time it used to take. These four also took our optional website and gallery package, so their storefront, galleries and sales all live in one place. It is an add-on, not a requirement, there if you want the whole thing handled.
Pay-as-you-go, from €0.01 a photo dropping to €0.004 at volume. A typical trackday of three to five thousand photos sorts for about €30 to €50, recovered by one or two gallery sales. And your first event is free, so you can prove it on your own photos before you pay a cent.
No. RaceLabs identifies each rider by appearance, the helmet design, bike livery and riding kit, and tracks them across frames. Hidden, blurred or missing numbers still land in the right folder. A readable plate just names it.
Both. A desktop app on your own machine sends the shoot to our cloud GPUs for the heavy AI, then writes the results back as normal folders on your disk, one per rider. Nothing is locked inside our gallery.
Yes. Canon CR2/CR3, Nikon NEF, Sony ARW, Fujifilm RAF, DNG and around twenty more formats, alongside JPEG.
No. Your originals are untouched, at full size and quality. RaceLabs only organises the files you already have into folders, so what you deliver is exactly what you shot.
Drop it in. RaceLabs accepts MP4, MOV, AVI and MKV, finds each rider inside the footage and cuts a per-rider clip that lands in their folder next to the photos.
A typical trackday is sorted in minutes, not hours, processing up to thousands of images a minute on cloud GPUs.
Yes. The AI does the first pass, and anything it is not sure about goes to an Unclear bin for your eyes. You merge, split, rename or reassign riders in seconds.
Yes. Edit in Lightroom the way you always do. Once a shoot is sorted in RaceLabs, hit Sync and your Lightroom edits are applied to the sorted copies automatically.
Tens of thousands of photos per event, with over six million sorted to date.
Processing runs on servers in the EU (Germany). Your photos stay yours, the final sort lives on your own disk, and nothing is kept or reused beyond what is needed to process the job.
mAP 0.99 and 99% precision on riders it has never seen, every split published. See the validation →
A full trackday in minutes: tiny uploads, datacenter GPUs, your originals never leave your disk. See the performance →
Pay-as-you-go from €0.01 a photo, dropping to €0.004 at volume. First event free. See pricing →